All text will now be saved to the script file. Type UNSCRIPT at any time to discontinue scripting. >i You have a rucksack, a metal flask, and a Russian doll. The rucksack seems to contain a pair of gloves, a thin coat, a hall pass, a single magazine, an aluminum key, a blood pressure cuff, a glass vial, a book of mythology, a book of faeries, a four-leaf clover, a metal box, a flyer, a shiny stone, a bottle of Karo syrup, a white cane, a pair of elf boots, an ash laurel, a length of rope, a dark sphere, a pair of sunglasses, and a note. >x flask A metal hip flask. It is filled with water. Strands slither over you, carried past on the breeze. >n You pause for a moment, troubled by something, before you shake it off and continue. Rock Bridge Balancing on the center of the bridge, you doubt the wisdom of your position. Below you yawns the chasm. The bridge continues to safety to both the north and the south. A breeze whips past you, unnerving you further. >n North End of Bridge The north end of the cavern is much like the south end. The bridge crosses the cavern to the south, and a doorway leads north. An occasional breeze brushes past you. >s You pause for a moment, troubled by something. Then you shake it off and continue. Rock Bridge Balancing on the center of the bridge, you doubt the wisdom of your position. Below you yawns the chasm. The bridge continues to safety to both the north and the south. A breeze whips past you, unnerving you further. >drink water You carefully sip the water. It is thick and has a bitter aftertaste to it. As it settles in your stomach you feel a sharp pain right behind your eyes. It slowly fades, leaving in its wake several rememberances of the past. One of those rememberances is of you clinging to the cliff above the cage. You look down, far down. You hear blood rushing in your ears as you gently topple off the bridge. And then you are on the side of the chasm watching yourself fall. A feeling of separation washes over you as the other you vanishes into the depths. Strands slither over you, carried past on the breeze. >undo (Undoing one command) Rock Bridge Balancing on the center of the bridge, you doubt the wisdom of your position. Below you yawns the chasm. The bridge continues to safety to both the north and the south. A breeze whips past you, unnerving you further. >s South End of Bridge You are in a tall cavern, standing on a narrow ledge which hugs the south wall. To the north, the ledge becomes a narrow rock bridge which arcs over a deep chasm. From across the bridge you occasionally feel a breeze blow. Doorways have been cut in the rock to the south and east. The entire scene is lit by reddish light from above. Strands slither over you, carried past on the breeze. >d You can't go that way. >s Clock Room The walls of the room are filled to capacity with clocks of varying shapes and sizes. All are running, though the hands of some whirl quickly while others creep infinitesimally forward. A thick red light glows through the doorway to the north. >d You can't go that way. >n South End of Bridge You are in a tall cavern, standing on a narrow ledge which hugs the south wall. To the north, the ledge becomes a narrow rock bridge which arcs over a deep chasm. From across the bridge you occasionally feel a breeze blow. Doorways have been cut in the rock to the south and east. The entire scene is lit by reddish light from above. Strands slither over you, carried past on the breeze. >e Room of Chains and Balance The east wall of the room is covered in chains, chains which run from the ceiling to the floor. Next to the chains are several levers. In the center of the room a large balance huddles. A doorway leads west; to the south is an oddly-shaped arch. A breeze occasionally wends its way in from the west doorway. >w South End of Bridge You are in a tall cavern, standing on a narrow ledge which hugs the south wall. To the north, the ledge becomes a narrow rock bridge which arcs over a deep chasm. From across the bridge you occasionally feel a breeze blow. Doorways have been cut in the rock to the south and east. The entire scene is lit by reddish light from above. >jump You cannot bring yourself to jump into the chasm. >climb down What do you want to climb down? >chasm Don't worry about the chasm. Strands slither over you, carried past on the breeze. >climb What do you want to climb? >chasm Don't worry about the chasm. >enter chasm You cannot bring yourself to jump in the chasm. >n You pause for a moment, troubled by something, before you shake it off and continue. Rock Bridge Balancing on the center of the bridge, you doubt the wisdom of your position. Below you yawns the chasm. The bridge continues to safety to both the north and the south. A breeze whips past you, unnerving you further. >n North End of Bridge The north end of the cavern is much like the south end. The bridge crosses the cavern to the south, and a doorway leads north. An occasional breeze brushes past you. Strands slither over you, carried past on the breeze. >climb chasm Don't worry about the chasm. >d You can't go that way. >enter chasm You cannot bring yourself to jump in the chasm. >s You pause for a moment, troubled by something. Then you shake it off and continue. Rock Bridge Balancing on the center of the bridge, you doubt the wisdom of your position. Below you yawns the chasm. The bridge continues to safety to both the north and the south. A breeze whips past you, unnerving you further. >enter chasm You cannot bring yourself to jump in the chasm. Strands slither over you, carried past on the breeze. >score You have achieved a score of 67 points out of a possible 100. >open doll You tug open the halves of the doll. The blackness you find inside rushes out, washing over you, carrying you away. Inside a large wooden doll You are in a cramped wooden container with smooth curved surfaces which restrict your motion. By reaching above your head, you can feel a groove running around the interior of the container. The ceiling arcs high above you. >push groove Pushing the groove doesn't do anything. >pull groove Pulling the groove doesn't have any effect. >enter groove I don't know how to enter the groove. >shake my groove thing I don't know the word "shake". >i You have a small wooden doll. >open doll The two halves of the doll slide apart with moderate resistance. >x doll This is a very plain Russian doll. You feel a peculiar sort of empathy with this doll, almost as if you and it are inexplicably linked. It has been disassembled; this is the lower half. It is hollow inside and seems to contain a miniature copy of yourself. >x copy Identical to you in every respect save size. Startled, you recoil involuntarily. The copy responds in kind, which makes you gape with incredulity, which makes your copy gape with incredulity. As realization dawns you both smirk in unison--until you see the oddly-compelling eyes. They draw your attention, daring you to stare down into their endless depths. >x eyes The eyes, though small, beckon you to greater depths of self-exploration than you have ever contemplated. >search eyes Don't worry about the small eyes. >enter eyes Don't worry about the small eyes. >explore eyes I don't know the word "explore". >get me Which me do you mean, the miniature copy of yourself, or yourself? >copy (Praying you don't drop yourself) Taken. >x eyes The eyes, though small, beckon you to greater depths of self-exploration than you have ever contemplated. >search eyes Don't worry about the small eyes. >put me in groove You can't put anything into the groove. >drop me (Ever so gently placing yourself on the floor) Dropped. >become me I don't know the word "become". >x me Which me do you mean, the miniature copy of yourself, or yourself? >copy The smaller copy of yourself is perfect in every respect. You feel an intense sort of empathy with the copy, especially when you look into the eyes, but that empathy is accompanied by an equal mixture of sadness at your separation. >look into eyes I don't recognize that sentence. >look in eyes You lower your head and stare deeply into the eyes of your smaller self. Your eyes lock together with perfect complimentarity. Your peripheral vision gradually dissolves until all you see is a pair of eyes staring back at you. You feel your consciousness fracture for a moment, during which you see through both pairs of eyes. You watch yourself watching yourself watching yourself...until, just before you are lost, you blink and find yourself having swapped with the smaller you. Inside an enormous wooden doll You are standing in the middle of a vast open space with a wooden floor. You see a giant twin here. >x twin Awe pervades you as you survey this twin of gratuitous proportions that towers high above your own somewhat meager stature. The amplification and magnification of every gesture, every expression, every motion presents an odd, rather disconcerting caricature of your mannerisms. The face you find most disturbing; in the deep chasms of the eyes you find an austere comfort. >wave There's no verb in that sentence! >blink I don't know the word "blink". >l Inside an enormous wooden doll You are standing in the middle of a vast open space with a wooden floor. You see a giant twin here. >e There is no obvious exit from the dolls. >n There is no obvious exit from the dolls. >s There is no obvious exit from the dolls. >look in eyes You slowly lift your head towards the massive, staring eyes above you and lock gazes. Your peripheral vision gradually dissolves until all you see is a pair of eyes staring back at you. You feel your consciousness fracture for a moment, during which you see through both pairs of eyes. You watch yourself watching yourself watching yourself...until, just before you are lost, you blink and find yourself having swapped with the larger you. Inside a large wooden doll You are in a cramped wooden container with smooth curved surfaces which restrict your motion. By reaching above your head, you can feel a groove running around the interior of the container. The ceiling arcs high above you. You see a miniature copy of yourself here. >get copy (Praying you don't drop yourself) Taken. >i You have the lower section of a doll, the lid for a doll, and a miniature copy of yourself. >x lid It appears to be the upper half of one of the dolls. >x groove It seems to suggest that the doll may be separated. >put me in upper I don't see any upper here. >put me in lid You can't put anything into the lid for a doll. >put me in lower Done. >drop lower Dropped. >look in eyes Again you stare down, feeling your sense of self slip away, feeling it returning in a rush, leaving you disoriented. Inside a large wooden doll You are in a cramped wooden container with smooth curved surfaces which restrict your motion. The ceiling is conspicuous in its absence, and you can see a larger version of yourself peering at you. >get up Okay, you're no longer on the Inside a large wooden doll. >[Whoops, grammar] I don't understand the punctuation "[". >l Inside an enormous wooden doll You are standing in the middle of a vast open space with a wooden floor. You see a giant twin and a large wooden doll here. >x doll Which doll do you mean, the small wooden doll, or the large wooden doll? >large It is almost as wide as your arm span. This doll is disassembled and the rim, which is usually connected to the upper section, is a good meter above you. >x small This is a very plain Russian doll. You feel a peculiar sort of empathy with this doll, almost as if you and it are inexplicably linked. There is a groove which runs along its outside, bisecting it at the waist. >open small The two halves of the doll slide apart with moderate resistance. >x small Which small do you mean, the lower section of a doll, or the small eyes? >l You don't see any l small here. >l Inside an enormous wooden doll You are standing in the middle of a vast open space with a wooden floor. You see a giant twin and a large wooden doll here. >x small doll This is a very plain Russian doll. You feel a peculiar sort of empathy with this doll, almost as if you and it are inexplicably linked. It has been disassembled; this is the lower half. It is hollow inside and seems to contain a miniature copy of yourself. >x copy The smaller copy of yourself is perfect in every respect. You feel an intense sort of empathy with the copy, especially when you look into the eyes, but that empathy is accompanied by an equal mixture of sadness at your separation. >look in copy's eyes I don't know the word "copy's". >look in eyes Which eyes do you mean, the large eyes, or the small eyes? >small Again you stare down, feeling your sense of self slip away, feeling it returning in a rush, leaving you disoriented. Inside a large wooden doll You are in a cramped wooden container with smooth curved surfaces which restrict your motion. The ceiling is conspicuous in its absence, and you can see a larger version of yourself peering at you. >l Inside a large wooden doll You are in a cramped wooden container with smooth curved surfaces which restrict your motion. The ceiling is conspicuous in its absence, and you can see a larger version of yourself peering at you. >x small This is a very plain Russian doll. You feel a peculiar sort of empathy with this doll, almost as if you and it are inexplicably linked. There is a groove which runs along its outside, bisecting it at the waist. >open it The two halves of the doll slide apart with moderate resistance. >x small Which small do you mean, the lower section of a doll, or the small eyes? >eyes The eyes, though small, beckon you to greater depths of self-exploration than you have ever contemplated. >x lower section This is a very plain Russian doll. You feel a peculiar sort of empathy with this doll, almost as if you and it are inexplicably linked. It has been disassembled; this is the lower half. It is hollow inside and seems to contain a miniature copy of yourself. >x copy The smaller copy of yourself is perfect in every respect. You feel an intense sort of empathy with the copy, especially when you look into the eyes, but that empathy is accompanied by an equal mixture of sadness at your separation. >look in eyes Which eyes do you mean, the large eyes, or the small eyes? >small Again you stare down, feeling your sense of self slip away, feeling it returning in a rush, leaving you disoriented. Inside a large wooden doll You are in a cramped wooden container with smooth curved surfaces which restrict your motion. The ceiling is conspicuous in its absence, and you can see a larger version of yourself peering at you. >open small doll The two halves of the doll slide apart with moderate resistance. >look in small eyes Again you stare down, feeling your sense of self slip away, feeling it returning in a rush, leaving you disoriented. Inside a large wooden doll You are in a cramped wooden container with smooth curved surfaces which restrict your motion. The ceiling is conspicuous in its absence, and you can see a larger version of yourself peering at you. >open doll enormous wooden doll: You can't reach that from the Inside a large wooden doll. Inside a large wooden doll: You can't reach that from the Inside a large wooden doll. >get small I don't see any small here. >get small doll I don't see any small doll here. >l Inside a large wooden doll You are in a cramped wooden container with smooth curved surfaces which restrict your motion. The ceiling is conspicuous in its absence, and you can see a larger version of yourself peering at you. >open small I don't see any small here. >open small doll I don't see any small doll here. >l Inside a large wooden doll You are in a cramped wooden container with smooth curved surfaces which restrict your motion. The ceiling is conspicuous in its absence, and you can see a larger version of yourself peering at you. >get up Okay, you're no longer on the Inside a large wooden doll. >l In your own grip You are being securely held by your larger self. Your own face peers down at you from a great height, an expression of fascination evident on its features. You wriggle about some experimentally, but can do nothing, it seems, aside from staring into your own eyes. >stare at eyes Any thoughts you have of the transition becoming easier are lost as you feel yourself pulled into the larger you. Inside a large wooden doll You are in a cramped wooden container with smooth curved surfaces which restrict your motion. The ceiling is conspicuous in its absence, and you can see a larger version of yourself peering at you. >stare at eyes Which eyes do you mean, the large eyes, or the small eyes? >large You can only stare down into the eyes of your smaller incarnation and up into the eyes of your larger incarnation. >look in large eyes Any thoughts you have of the transition becoming easier are lost as you feel yourself pulled into the larger you. Inside a large wooden doll You are in a cramped wooden container with smooth curved surfaces which restrict your motion. The ceiling is conspicuous in its absence, and you can see a larger version of yourself peering at you. >look in large eyes Any thoughts you have of the transition becoming easier are lost as you feel yourself pulled into the larger you. Inside a large wooden doll You are in a cramped wooden container with smooth curved surfaces which restrict your motion. The ceiling is conspicuous in its absence, and you can see a larger version of yourself peering at you. >g Any thoughts you have of the transition becoming easier are lost as you feel yourself pulled into the larger you. Inside a large wooden doll You are in a cramped wooden container with smooth curved surfaces which restrict your motion. By reaching above your head, you can feel a groove running around the interior of the container. The ceiling arcs high above you. You see the lower section of a doll here. The lower section of a doll seems to contain a miniature copy of yourself. >g You can't repeat that command. >open doll You must first be holding the doll. >i You have the lid for a doll. >get doll Taken. >look in eyes Again you stare down, feeling your sense of self slip away, feeling it returning in a rush, leaving you disoriented. Inside a large wooden doll You are in a cramped wooden container with smooth curved surfaces which restrict your motion. The ceiling is conspicuous in its absence, and you can see a larger version of yourself peering at you. >look in small eyes Again you stare down, feeling your sense of self slip away, feeling it returning in a rush, leaving you disoriented. Inside a large wooden doll You are in a cramped wooden container with smooth curved surfaces which restrict your motion. The ceiling is conspicuous in its absence, and you can see a larger version of yourself peering at you. >g Again you stare down, feeling your sense of self slip away, feeling it returning in a rush, leaving you disoriented. Inside a large wooden doll You are in a cramped wooden container with smooth curved surfaces which restrict your motion. The ceiling is conspicuous in its absence, and you can see a larger version of yourself peering at you. >g Again you stare down, feeling your sense of self slip away, feeling it returning in a rush, leaving you disoriented. Inside a large wooden doll You are in a cramped wooden container with smooth curved surfaces which restrict your motion. The ceiling is conspicuous in its absence, and you can see a larger version of yourself peering at you. >g You can't repeat that command. >i You are empty-handed. >look in large eyes Any thoughts you have of the transition becoming easier are lost as you feel yourself pulled into the larger you. Inside a large wooden doll You are in a cramped wooden container with smooth curved surfaces which restrict your motion. The ceiling is conspicuous in its absence, and you can see a larger version of yourself peering at you. >i You have the lower section of a doll and the lid for a doll. The lower section of a doll seems to contain a miniature copy of yourself. >x lid It appears to be the upper half of one of the dolls. >x lower This is a very plain Russian doll. You feel a peculiar sort of empathy with this doll, almost as if you and it are inexplicably linked. It has been disassembled; this is the lower half. It is hollow inside and seems to contain a miniature copy of yourself. >look in larger You can't reach that from the Inside a large wooden doll. >look in larger eyes I don't see any larger eyes here. >l Inside a large wooden doll You are in a cramped wooden container with smooth curved surfaces which restrict your motion. The ceiling is conspicuous in its absence, and you can see a larger version of yourself peering at you. >look in large eyes Any thoughts you have of the transition becoming easier are lost as you feel yourself pulled into the larger you. Inside a large wooden doll You are in a cramped wooden container with smooth curved surfaces which restrict your motion. The ceiling is conspicuous in its absence, and you can see a larger version of yourself peering at you. >i You have the lower section of a doll and the lid for a doll. The lower section of a doll seems to contain a miniature copy of yourself. >x lid It appears to be the upper half of one of the dolls. >x lower This is a very plain Russian doll. You feel a peculiar sort of empathy with this doll, almost as if you and it are inexplicably linked. It has been disassembled; this is the lower half. It is hollow inside and seems to contain a miniature copy of yourself. >x copy The smaller copy of yourself is perfect in every respect. You feel an intense sort of empathy with the copy, especially when you look into the eyes, but that empathy is accompanied by an equal mixture of sadness at your separation. >x small Which small do you mean, the lower section of a doll, or the small eyes? >look in small eyes Again you stare down, feeling your sense of self slip away, feeling it returning in a rush, leaving you disoriented. Inside a large wooden doll You are in a cramped wooden container with smooth curved surfaces which restrict your motion. The ceiling is conspicuous in its absence, and you can see a larger version of yourself peering at you. >x copy The smaller copy of yourself is perfect in every respect. You feel an intense sort of empathy with the copy, especially when you look into the eyes, but that empathy is accompanied by an equal mixture of sadness at your separation. >look in small eyes Again you stare down, feeling your sense of self slip away, feeling it returning in a rush, leaving you disoriented. Inside a large wooden doll You are in a cramped wooden container with smooth curved surfaces which restrict your motion. The ceiling is conspicuous in its absence, and you can see a larger version of yourself peering at you. >x copy I don't know the word "copy". >look in large eyes Any thoughts you have of the transition becoming easier are lost as you feel yourself pulled into the larger you. Inside a large wooden doll You are in a cramped wooden container with smooth curved surfaces which restrict your motion. The ceiling is conspicuous in its absence, and you can see a larger version of yourself peering at you. >g Any thoughts you have of the transition becoming easier are lost as you feel yourself pulled into the larger you. Inside a large wooden doll You are in a cramped wooden container with smooth curved surfaces which restrict your motion. The ceiling is conspicuous in its absence, and you can see a larger version of yourself peering at you. >g Any thoughts you have of the transition becoming easier are lost as you feel yourself pulled into the larger you. Inside a large wooden doll You are in a cramped wooden container with smooth curved surfaces which restrict your motion. The ceiling is conspicuous in its absence, and you can see a larger version of yourself peering at you. >g Any thoughts you have of the transition becoming easier are lost as you feel yourself pulled into the larger you. Inside a large wooden doll You are in a cramped wooden container with smooth curved surfaces which restrict your motion. By reaching above your head, you can feel a groove running around the interior of the container. The ceiling arcs high above you. >g You can't repeat that command. >drop all lid for a doll: Dropped. lower section of a doll: Dropped. >look in small eyes Again you stare down, feeling your sense of self slip away, feeling it returning in a rush, leaving you disoriented. Inside a large wooden doll You are in a cramped wooden container with smooth curved surfaces which restrict your motion. The ceiling is conspicuous in its absence, and you can see a larger version of yourself peering at you. >drop all lower section of a doll: Dropped. lid for a doll: Dropped. >look in small eyes Again you stare down, feeling your sense of self slip away, feeling it returning in a rush, leaving you disoriented. Inside a large wooden doll You are in a cramped wooden container with smooth curved surfaces which restrict your motion. The ceiling is conspicuous in its absence, and you can see a larger version of yourself peering at you. >drop all lower section of a doll: Dropped. lid for a doll: Dropped. >look in small eyes Again you stare down, feeling your sense of self slip away, feeling it returning in a rush, leaving you disoriented. Inside a large wooden doll You are in a cramped wooden container with smooth curved surfaces which restrict your motion. The ceiling is conspicuous in its absence, and you can see a larger version of yourself peering at you. >drop all lower section of a doll: Dropped. lid for a doll: Dropped. >look in small eyes Again you stare down, feeling your sense of self slip away, feeling it returning in a rush, leaving you disoriented. Inside a large wooden doll You are in a cramped wooden container with smooth curved surfaces which restrict your motion. The ceiling is conspicuous in its absence, and you can see a larger version of yourself peering at you. >drop all I don't see what you're referring to. >get up Okay, you're no longer on the Inside a large wooden doll. >l Inside an enormous wooden doll You are standing in the middle of a vast open space with a wooden floor. You see a giant twin, a large wooden doll, and the upper half of a large doll here. >get large Don't worry about the large face. >get large doll It would crush you. >look at large eyes At this magnification, the millions of tendrils and striations in the iris lay waste to your former concept of beauty. The undulating fibers which frame the pupil seem to form a gateway. >look in large eyes Any thoughts you have of the transition becoming easier are lost as you feel yourself pulled into the larger you. Inside a large wooden doll You are in a cramped wooden container with smooth curved surfaces which restrict your motion. The ceiling is conspicuous in its absence, and you can see a larger version of yourself peering at you. You see the lower section of a doll and the lid for a doll here. The lower section of a doll seems to contain a miniature copy of yourself. >get small doll Taken. >throw it in large doll You can't reach that from the Inside a large wooden doll. >throw doll in large doll You can't reach that from the Inside a large wooden doll. >i You have the lower section of a doll. The lower section of a doll seems to contain a miniature copy of yourself. >close doll You must first be holding the two halves of the doll. >get lid Taken. >get copy (Praying you don't drop yourself) Taken. >close doll The two pieces slide together effortlessly, as though magnetically attracted. >throw doll in large doll You can't reach that from the Inside a large wooden doll. >drop doll Dropped. >i You have a miniature copy of yourself. >look in large eyes Any thoughts you have of the transition becoming easier are lost as you feel yourself pulled into the larger you. Inside a large wooden doll You are in a cramped wooden container with smooth curved surfaces which restrict your motion. The ceiling is conspicuous in its absence, and you can see a larger version of yourself peering at you. You see the lower section of a doll and the lid for a doll here. The lower section of a doll seems to contain a miniature copy of yourself and a minute capsule. >get copy (Praying you don't drop yourself) Taken. >close doll You must first be holding the two halves of the doll. >get all lower section of a doll: Taken. lid for a doll: Taken. >close doll The two pieces slide together effortlessly, as though magnetically attracted. >look in large eyes Any thoughts you have of the transition becoming easier are lost as you feel yourself pulled into the larger you. Inside a large wooden doll You are in a cramped wooden container with smooth curved surfaces which restrict your motion. The ceiling is conspicuous in its absence, and you can see a larger version of yourself peering at you. You see the lower section of a doll and the lid for a doll here. The lower section of a doll seems to contain a miniature copy of yourself. >get all lower section of a doll: Taken. lid for a doll: Taken. >get copy (Praying you don't drop yourself) Taken. >close doll After a brief struggle, you manage to force the two pieces together again. >undo (Undoing one command) Inside a large wooden doll You are in a cramped wooden container with smooth curved surfaces which restrict your motion. The ceiling is conspicuous in its absence, and you can see a larger version of yourself peering at you. >i You have the lower section of a doll, the lid for a doll, and a miniature copy of yourself. >close doll After a brief struggle, you manage to force the two pieces together again. >undo (Undoing one command) Inside a large wooden doll You are in a cramped wooden container with smooth curved surfaces which restrict your motion. The ceiling is conspicuous in its absence, and you can see a larger version of yourself peering at you. >look in eyes Which eyes do you mean, the large eyes, or the small eyes? >small Again you stare down, feeling your sense of self slip away, feeling it returning in a rush, leaving you disoriented. In your own grip You are being securely held by your larger self. Your own face peers down at you from a great height, an expression of fascination evident on its features. You wriggle about some experimentally, but can do nothing, it seems, aside from staring into your own eyes. >i You have a miniature copy of yourself and a small wooden doll. >drop doll You are held much too tightly to do most anything. >throw doll in large doll You are held much too tightly to do most anything. >look in large Which large do you mean, the large wooden doll, or the large face? >eyes You can only stare down into the eyes of your smaller incarnation and up into the eyes of your larger incarnation. >look in large eyes Any thoughts you have of the transition becoming easier are lost as you feel yourself pulled into the larger you. Inside a large wooden doll You are in a cramped wooden container with smooth curved surfaces which restrict your motion. The ceiling is conspicuous in its absence, and you can see a larger version of yourself peering at you. >drop copy (Ever so gently placing yourself on the floor) Dropped. >look in small eyes Again you stare down, feeling your sense of self slip away, feeling it returning in a rush, leaving you disoriented. Inside an enormous wooden doll You are standing in the middle of a vast open space with a wooden floor. You see a giant twin here. >i You have a miniature copy of yourself and a small wooden doll. >drop doll Dropped. >look in large eyes Any thoughts you have of the transition becoming easier are lost as you feel yourself pulled into the larger you. Inside a large wooden doll You are in a cramped wooden container with smooth curved surfaces which restrict your motion. The ceiling is conspicuous in its absence, and you can see a larger version of yourself peering at you. You see a miniature copy of yourself and a minute capsule here. >get capsule It is far too delicate for your hamfisted hands. >i You have the lower section of a doll and the lid for a doll. >close doll After a brief struggle, you manage to force the two pieces together again. >drop doll Dropped. >get copy (Praying you don't drop yourself) Taken. >look in large eyes Any thoughts you have of the transition becoming easier are lost as you feel yourself pulled into the larger you. Inside a large wooden doll You are in a cramped wooden container with smooth curved surfaces which restrict your motion. By reaching above your head, you can feel a groove running around the interior of the container. The ceiling arcs high above you. You see the lid for a doll and the lower section of a doll here. The lower section of a doll seems to contain a miniature copy of yourself and a minute capsule. >get copy As your hand closes about your smaller self, you become aware of all of the sensations and perceptions of all instances of yourself. The sensation quickly passes, leaving you puzzled. >get all lid for a doll: Taken. lower section of a doll: Taken. >get copy You already have the miniature copy of yourself! >i You have a miniature copy of yourself, the lid for a doll, and the lower section of a doll. The lower section of a doll seems to contain a minute capsule. >close doll After a brief struggle, you manage to force the two pieces together again. >undo (Undoing one command) Inside a large wooden doll You are in a cramped wooden container with smooth curved surfaces which restrict your motion. By reaching above your head, you can feel a groove running around the interior of the container. The ceiling arcs high above you. >drop all lid for a doll: Dropped. lower section of a doll: Dropped. >i You have a miniature copy of yourself. >drop copy (Ever so gently placing yourself on the floor) Dropped. >look in small eyes Again you stare down, feeling your sense of self slip away, feeling it returning in a rush, leaving you disoriented. Inside an enormous wooden doll You are standing in the middle of a vast open space with a wooden floor. You see a giant twin, the upper half of a large doll, and a large wooden doll here. >i You have a miniature copy of yourself. >look in large eyes Any thoughts you have of the transition becoming easier are lost as you feel yourself pulled into the larger you. Inside a large wooden doll You are in a cramped wooden container with smooth curved surfaces which restrict your motion. By reaching above your head, you can feel a groove running around the interior of the container. The ceiling arcs high above you. You see the lid for a doll, the lower section of a doll, and a miniature copy of yourself here. The lower section of a doll seems to contain a minute capsule. >i You are empty-handed. >get all lid for a doll: Taken. lower section of a doll: Taken. >close doll After a brief struggle, you manage to force the two pieces together again. >undo (Undoing one command) Inside a large wooden doll You are in a cramped wooden container with smooth curved surfaces which restrict your motion. By reaching above your head, you can feel a groove running around the interior of the container. The ceiling arcs high above you. You see a miniature copy of yourself here. >i You have the lid for a doll and the lower section of a doll. The lower section of a doll seems to contain a minute capsule. >close doll After a brief struggle, you manage to force the two pieces together again. >undo (Undoing one command) Inside a large wooden doll You are in a cramped wooden container with smooth curved surfaces which restrict your motion. By reaching above your head, you can feel a groove running around the interior of the container. The ceiling arcs high above you. You see a miniature copy of yourself here. >x copy The smaller copy of yourself is perfect in every respect. You feel an intense sort of empathy with the copy, especially when you look into the eyes, but that empathy is accompanied by an equal mixture of sadness at your separation. >get copy As your hand closes about your smaller self, you become aware of all of the sensations and perceptions of all instances of yourself. The sensation quickly passes, leaving you puzzled. >close doll After a brief struggle, you manage to force the two pieces together again. >undo (Undoing one command) Inside a large wooden doll You are in a cramped wooden container with smooth curved surfaces which restrict your motion. By reaching above your head, you can feel a groove running around the interior of the container. The ceiling arcs high above you. >drop all lid for a doll: Dropped. lower section of a doll: Dropped. >look in small eyes Again you stare down, feeling your sense of self slip away, feeling it returning in a rush, leaving you disoriented. In your own grip You are being securely held by your larger self. Your own face peers down at you from a great height, an expression of fascination evident on its features. You wriggle about some experimentally, but can do nothing, it seems, aside from staring into your own eyes. >look in large eyes Any thoughts you have of the transition becoming easier are lost as you feel yourself pulled into the larger you. Inside a large wooden doll You are in a cramped wooden container with smooth curved surfaces which restrict your motion. By reaching above your head, you can feel a groove running around the interior of the container. The ceiling arcs high above you. You see the lid for a doll and the lower section of a doll here. The lower section of a doll seems to contain a minute capsule. >drop copy (Ever so gently placing yourself on the floor) Dropped. >l Inside a large wooden doll You are in a cramped wooden container with smooth curved surfaces which restrict your motion. By reaching above your head, you can feel a groove running around the interior of the container. The ceiling arcs high above you. You see the lid for a doll, the lower section of a doll, and a miniature copy of yourself here. The lower section of a doll seems to contain a minute capsule. >look in small eyes Again you stare down, feeling your sense of self slip away, feeling it returning in a rush, leaving you disoriented. Inside an enormous wooden doll You are standing in the middle of a vast open space with a wooden floor. You see a giant twin, the upper half of a large doll, and a large wooden doll here. >i You have a miniature copy of yourself. >get all upper half of a large doll: It would crush you. large wooden doll: It would crush you. >i You have a miniature copy of yourself. >i You have a miniature copy of yourself. >l Inside an enormous wooden doll You are standing in the middle of a vast open space with a wooden floor. You see a giant twin, the upper half of a large doll, and a large wooden doll here. >x small doll I don't see any small doll here. >look in large eyes Any thoughts you have of the transition becoming easier are lost as you feel yourself pulled into the larger you. Inside a large wooden doll You are in a cramped wooden container with smooth curved surfaces which restrict your motion. By reaching above your head, you can feel a groove running around the interior of the container. The ceiling arcs high above you. You see the lid for a doll, the lower section of a doll, and a miniature copy of yourself here. The lower section of a doll seems to contain a minute capsule. >get all lid for a doll: Taken. lower section of a doll: Taken. >close doll After a brief struggle, you manage to force the two pieces together again. >undo (Undoing one command) Inside a large wooden doll You are in a cramped wooden container with smooth curved surfaces which restrict your motion. By reaching above your head, you can feel a groove running around the interior of the container. The ceiling arcs high above you. You see a miniature copy of yourself here. >get copy As your hand closes about your smaller self, you become aware of all of the sensations and perceptions of all instances of yourself. The sensation quickly passes, leaving you puzzled. >close doll After a brief struggle, you manage to force the two pieces together again. >undo (Undoing one command) Inside a large wooden doll You are in a cramped wooden container with smooth curved surfaces which restrict your motion. By reaching above your head, you can feel a groove running around the interior of the container. The ceiling arcs high above you. >i You have the lid for a doll, the lower section of a doll, and a miniature copy of yourself. The lower section of a doll seems to contain a minute capsule. >[Arr!] I don't understand the punctuation "[". >restore Restored. South End of Bridge You are in a tall cavern, standing on a narrow ledge which hugs the south wall. To the north, the ledge becomes a narrow rock bridge which arcs over a deep chasm. From across the bridge you occasionally feel a breeze blow. Doorways have been cut in the rock to the south and east. The entire scene is lit by reddish light from above. >open doll You tug open the halves of the doll. The blackness you find inside rushes out, washing over you, carrying you away. Inside a large wooden doll You are in a cramped wooden container with smooth curved surfaces which restrict your motion. By reaching above your head, you can feel a groove running around the interior of the container. The ceiling arcs high above you. >i You have a small wooden doll. >open doll The two halves of the doll slide apart with moderate resistance. >drop all lower section of a doll: Dropped. lid for a doll: Dropped. >stare down You lower your head and stare deeply into the eyes of your smaller self. Your eyes lock together with perfect complimentarity. Your peripheral vision gradually dissolves until all you see is a pair of eyes staring back at you. You feel your consciousness fracture for a moment, during which you see through both pairs of eyes. You watch yourself watching yourself watching yourself...until, just before you are lost, you blink and find yourself having swapped with the smaller you. Inside a large wooden doll You are in a cramped wooden container with smooth curved surfaces which restrict your motion. The ceiling is conspicuous in its absence, and you can see a larger version of yourself peering at you. >open doll The two halves of the doll slide apart with moderate resistance. >drop all lower section of a doll: Dropped. lid for a doll: Dropped. >stare down Again you stare down, feeling your sense of self slip away, feeling it returning in a rush, leaving you disoriented. Inside a large wooden doll You are in a cramped wooden container with smooth curved surfaces which restrict your motion. The ceiling is conspicuous in its absence, and you can see a larger version of yourself peering at you. >open doll The two halves of the doll slide apart with moderate resistance. >drop all lower section of a doll: Dropped. lid for a doll: Dropped. >stare down Again you stare down, feeling your sense of self slip away, feeling it returning in a rush, leaving you disoriented. Inside a large wooden doll You are in a cramped wooden container with smooth curved surfaces which restrict your motion. The ceiling is conspicuous in its absence, and you can see a larger version of yourself peering at you. >open doll The two halves of the doll slide apart with moderate resistance. >drop all lower section of a doll: Dropped. lid for a doll: Dropped. >stare down Again you stare down, feeling your sense of self slip away, feeling it returning in a rush, leaving you disoriented. Inside a large wooden doll You are in a cramped wooden container with smooth curved surfaces which restrict your motion. The ceiling is conspicuous in its absence, and you can see a larger version of yourself peering at you. >open doll enormous wooden doll: You can't reach that from the Inside a large wooden doll. Inside a large wooden doll: You can't reach that from the Inside a large wooden doll. >i You are empty-handed. >stare up You slowly lift your head towards the massive, staring eyes above you and lock gazes. Your peripheral vision gradually dissolves until all you see is a pair of eyes staring back at you. You feel your consciousness fracture for a moment, during which you see through both pairs of eyes. You watch yourself watching yourself watching yourself...until, just before you are lost, you blink and find yourself having swapped with the larger you. Inside a large wooden doll You are in a cramped wooden container with smooth curved surfaces which restrict your motion. The ceiling is conspicuous in its absence, and you can see a larger version of yourself peering at you. You see the lower section of a doll and the lid for a doll here. The lower section of a doll seems to contain a miniature copy of yourself. >get all lower section of a doll: Taken. lid for a doll: Taken. >close doll After a brief struggle, you manage to force the two pieces together again. >undo (Undoing one command) Inside a large wooden doll You are in a cramped wooden container with smooth curved surfaces which restrict your motion. The ceiling is conspicuous in its absence, and you can see a larger version of yourself peering at you. >get copy (Praying you don't drop yourself) Taken. >close doll The two pieces slide together effortlessly, as though magnetically attracted. >stare up Any thoughts you have of the transition becoming easier are lost as you feel yourself pulled into the larger you. Inside a large wooden doll You are in a cramped wooden container with smooth curved surfaces which restrict your motion. The ceiling is conspicuous in its absence, and you can see a larger version of yourself peering at you. You see the lower section of a doll and the lid for a doll here. The lower section of a doll seems to contain a miniature copy of yourself. >undo (Undoing one command) Inside a large wooden doll You are in a cramped wooden container with smooth curved surfaces which restrict your motion. The ceiling is conspicuous in its absence, and you can see a larger version of yourself peering at you. >drop doll Dropped. >stare up Any thoughts you have of the transition becoming easier are lost as you feel yourself pulled into the larger you. Inside a large wooden doll You are in a cramped wooden container with smooth curved surfaces which restrict your motion. The ceiling is conspicuous in its absence, and you can see a larger version of yourself peering at you. You see the lower section of a doll and the lid for a doll here. The lower section of a doll seems to contain a miniature copy of yourself and a minute capsule. >get copy (Praying you don't drop yourself) Taken. >get all lower section of a doll: Taken. lid for a doll: Taken. >close doll The two pieces slide together effortlessly, as though magnetically attracted. >drop doll Dropped. >stare up Any thoughts you have of the transition becoming easier are lost as you feel yourself pulled into the larger you. Inside a large wooden doll You are in a cramped wooden container with smooth curved surfaces which restrict your motion. The ceiling is conspicuous in its absence, and you can see a larger version of yourself peering at you. You see the lower section of a doll and the lid for a doll here. The lower section of a doll seems to contain a miniature copy of yourself and a minute capsule. >get copy (Praying you don't drop yourself) Taken. >get all lower section of a doll: Taken. lid for a doll: Taken. >close doll The two pieces slide together effortlessly, as though magnetically attracted. >drop doll Dropped. >stare up Any thoughts you have of the transition becoming easier are lost as you feel yourself pulled into the larger you. Inside a large wooden doll You are in a cramped wooden container with smooth curved surfaces which restrict your motion. By reaching above your head, you can feel a groove running around the interior of the container. The ceiling arcs high above you. You see the lower section of a doll and the lid for a doll here. The lower section of a doll seems to contain a miniature copy of yourself and a minute capsule. >get copy As your hand closes about your smaller self, you become aware of all of the sensations and perceptions of all instances of yourself. The sensation quickly passes, leaving you puzzled. >get all lower section of a doll: Taken. lid for a doll: Taken. >close doll The two pieces slide together effortlessly, as though magnetically attracted. >drop doll Subjective time lags. You stare fixedly as the doll gently floats towards the floor. In complete silence, the doll lands. As it does, a ripple spreads out from it. You feel the walls around you invert. For an instant you contain the universe, until all collapses about you... South End of Bridge You are in a tall cavern, standing on a narrow ledge which hugs the south wall. To the north, the ledge becomes a narrow rock bridge which arcs over a deep chasm. From across the bridge you occasionally feel a breeze blow. Doorways have been cut in the rock to the south and east. The entire scene is lit by reddish light from above. [Your score has increased by 5 points.] >[Woo!] I don't understand the punctuation "[". >save Saved. >quit You have achieved a score of 72 points out of a possible 100. Do you really want to quit? (YES or NO) > y Thank you for playing Losing Your Grip.